Wednesday, November 21, 2012

What's Beef?

The latest Hip Hop industry buzz is the Twitter Beef between veteran rapper Cassidy and MMG artist Meek Mills, potentially leading up to a face to face rap battle. In the words of the late great Biggie Smalls “Beef is when you can’t walk in the street/ beef is when I see you/guaranteed to be in ICU.” I think it’s safe to say that these two Philly natives are far from that.

I had the pleasure of meeting and interviewing Cassidy at Powerhouse Studios, in Yonkers last night. Cassidy shared with me that although he has been off the radar for a while, he has definitely evolved as an artist. He talked about working as a producer, perfecting his flow-play, and maturing as an individual so that he is able to rap about different experiences. Cassidy maintains that regardless of time away, he is still ill: “It’s still the same hard bars, lyrics, similes, metaphors. I still get busy on every record, never let up.”


Cassidy credits the late Tupac as an influence, admiring Pac’s fearlessness, work ethic, and his relationship with God. Cassidy also gives props to 50 Cent for being his own man even before he became signed artist, “(50) He said what he wanted to say and did what he wanted to do. I like that in artists.”

Cassidy’s return is certainly the shake up that the industry needs. If the battle does go down it will be ca-razy for sure. Most of all it would be monumental for Hip Hop! Stay tuned folks!

Monday, November 19, 2012

It is...

Crisp, tender, and richly unique
It spills out fast and uninhibited
like a large stream of soft bubbles
out of that small plastic circular wand
You try to catch it before it explodes
and disappears
even though it will no doubt return
It invites hope and evokes promise
It is plentiful and lush, never lacking
It is everything
Best of all it is contagious
It is a child's laughter

Wednesday, November 7, 2012

Being Charitable is Fashionable

I was pleased to attend the Shopping Night Out "Beating Cancer in Heels" charity event presented by Tene Nicole. The event was a festive evening that featured fashion forward items for sale, live music, a beauty bar, passed hor d'oeuvres and open bar.
The event was held at The Carriage House Center for the Arts, a lovely loft space in NYC's Mid-town East. A percentage of the proceeds were donated to Beating Cancer in Heels, a non-profit founded by Marlena Ortiz, a breast cancer survivor who was diagnosed at the young age of 25.

The event was well attended, bringing out the best of NYC; hipsters, socialites, and Reality TV personalities. I was pleased to meet Ebony Haith from cycle 1 of America's Next Top Model. I give Ebony an "F" for Fabulous! She posed with me for a few pics, proving that she is both fashionable & fun!

I also met handsome Nollywood actor Jim Iyke.
For those unfamiliar with Nollywood- it is the term referring to movies made in Nigeria, West Africa. Nollywood ranks as the 3rd highest grossing film industry, with Hollywood being #1 and Bollywood (India), #2. Jim Iyke, is like the Idris Elba of African movies. And yes, he is as hot in person as he is on screen.

I came to support the cause and show love to my good friendtrepreneur Marchelle Wilson, CEO of feathersxxx- the premiere "toy" shop for the uninhibited woman.

Marchelle's passion and personality is the key to her success even though her products seem to sell themselves. Just ask Karen Gravano and Ramona Rizzo, of VH1's hit series Mob Wives. They hit up Marchelle's table, wowed by the feathersxxx display, and made a purchase on the spot.

Highlights of the evening included a live performance by a young lady who covered Christina Aguilera's "Beautiful" and an inspiring speech by a cancer survivor.

In the wake of Hurricane Sandy we are reminded that it is so important to give back to your community because you never know when you might need to receive. So I urge you all to make a donation for those affected by the hurricane. Donate as little as $10 to Red Cross, The Salvation Army, or The Food Bank of New York City. C'mon that is two cups of coffee people, you can do this... that little bit of money will go a long way. And if your budget is just too tight, then donate your time. Volunteer at a soup kitchen or shelter. The more people who help, the sooner our city and its residents can recover.

Remember folks, being charitable is always fashionable!


Friday, July 27, 2012

New Wave of Ladies First


When Queen Latifah & Monie Love dropped the anthem "Ladies First" in 1989, they were making a political feminist statement; demanding respect for women everywhere and solidifying their position as equals in the male dominated Hip Hop industry.
Now 23 years later it is indeed women who are the leading ladies of the game, stealing the show in Hip Hop & beyond (RIP Ms Melodie who appeared in LF video).
*************************************************************************************
Love & Hip Hop
Former Violator Records President, Mona Scott Young, brought us the drama of the women in rap, and no, not the female MCs. Instead she shined a light on the women who hold down male rap artists: the girlfriends, the managers, and even the mothers. We all fell in love & sometimes hate with the original NYC cast -Chrissy, Emily, Olivia, Yandy, and the scene stealer, Nancy aka Mama Jones.

Although the ATL version is a bit far-fetched (more soap opera /comedy than reality), the show has got us all making a TV date on Mondays at 8. We tune in - on time, to laugh out loud, shake our heads, and simultaneously take to facebook and twitter to offer online commentary.

*************************************************************************************
Single Ladies

We fell in love with Latifah's acting skills with her role as Cleo in Set it Off. Since then she has successfully conquered many other roles, proving that she is a multi-dimensional entertainer and entrepreneur. This time the raptress put her producer hat on and gave us Single Ladies. The show's recipe serves up Sex and the City with a side Girlfriends and the fans eat it up. The storylines, the fashion, and the cast chemistry garnered an adoring audience after just a few episodes. Keisha's sass, Val's class and April's innocence definitely filled a void in primetime programming.*****************************************************************
And yes, we were all a bit concerned when Stacy Dash exited stage left, unsure of how they could recreate that chemistry between the fly trio of friends that we had just gotten used to. However, Denise Vasi's character Raquel has definitely helped maintain the drama and the fun.
*************************************************************************************
Azealia Banks

The hottest cocky and lyrical rapper from Harlem isn't A$AP Rocky. But rather his female competitor, Azealia Banks. Banks made a name for herself mostly in the UK, getting no airplay in the states. Upset by the lack of recognition she began taking verbal jabs at the current queen, Nicky Minaj. She was also vocal about not being chosen for XXL magazine Freshman cover, going for the jugular of another femcee, with an oddly similar name- Iggy Azelia. Bank's beef is that in her opinion, the white rapper was picked not for her talent but solely because she is TI's artist. Despite her ish talking, Banks backs it with major talent. Her mix of fast rhyming and singing over synchopated-techno dance beats makes her stand apart from the rest.
The video for her latest single "Licquorice" is a cinematic banger; drawing inspiration from Tarrintino's "Kill Bill." Banks plays the ebony cowgirl, rapping proudly about her chocolate skin and her uncompromising sexuality:

I'm the liquorice Bitch/You know I'm looking for these niggas if these niggas is rich...These bitches know I be on that Black Girl Shit
That Black Girl Pin-Up with that Black Girl dip
Pick out your mans and attack real quick
I'ma hit em with that venom, that rap girl hip..
Slip out the denims, you know that Black girl fit,
Get that Remy in and did and hit that Black girl switch...
Bitches better tan for the summer, and for the haters
Quit that chit chat, and get ya paper...
(Loves Her!!!)

From Underground to being Fashion's latest "It Girl", Azealia Banks proves that being authentic is worth its weight in gold and she is taking it straight to the bank.

Wednesday, April 18, 2012

Hip Hop's Transcendence


As I sit here watching Nas' Behind the Music special - for the second time, I am reminded why I love Hip Hop; it's raw, it's bold, it's real. It is freedom of speech in one of the purest forms. It is the song of the underdog. I fell in love with with the genre as a young girl; my older brother meticulously cleaned his shell toes while playing the latest Hip Hop records:Sugar Hill Gang, Kurtis Blow, Beastie Boys, Run DMC, LL Cool J. The beats and rhymes were rhythmic, soulful, creative. Best of all, it was unlike any other music that my young ears had heard. We grew up together, Hip Hop and I, so now in my 30's I remain faithful... I will be a B Girl until the day I die! Below is a paper I wrote which chronicles my beloved culture- Hip Hop..


York College-Eng. 103-5/24/06

Hip Hop’s Transcendence


Before: An Esoteric Subculture After: A Lifestyle Emulated Worldwide
Before: For Ghetto Youth Only After: Enjoyed by Upper Class & Socialites
Then: Under-rated Now: Grammy Nominated

This preface is in reference to Hip Hop music, lifestyle, and culture. Before its global success, this unique and ever changing genre was once considered a passing fad. Initially it was a subculture that catered to underprivileged kids who were in search of an outlet. Hip Hop was their voice. It was a vehicle used to express their struggles; through rapping, break-dancing, and graffiti. Critics deemed the music ridiculous and lewd, thus continuing to ignore the plight of these urban youth. Society at large wanted nothing to do with Hip Hop or the people it represented.

Hip Hop emerged in the late seventies. It became extremely popular since the disco era had ended. Specifically the art form began in the South Bronx. Bronx neighborhoods were ravished by drugs, crime and abandoned buildings. In 1969, the New York Times stated that residents of the Hunts point area had “only a one in 20 chance of dying of natural causes”, most deaths resulted from drug overdose or murder. (New York, The South Bronx Miracle pg.1). President Carter visited the area in 1977 and referred to it as “the worst slum in America” (New York, The South Bronx Miracle). Due to lack of resources, ghetto youths had to create their own pastime. The kids started to rap; using slang and street talk to create songs (The roots of Hip Hop pg. 2). Kids rapped about their hood, demanding respect for themselves and their community (Hip to Hip Hop pg.1). The raps were reflective of the environment, raw and laced with violence.

Today, Hip Hop concerts draw thousands of fans eager to see their favorite artists. Madison Square Garden has often been sold out for a major Hip Hop performance. However, back then concert promoters would rarely entertain the idea. DJs like GrandMaster Flash, Kool Herc, and Africa Bambaata would spin records in parks and community centers for crowds of kids (The roots of Hip Hop, pg. 1). The DJs would mix records to make the percussion breaks longer. The kids called B-boys started an acrobatic style of dancing during the breaks, hence the term break dancing (The roots of Hip Hop, 1). This style of dance involves “popping and locking” your body to the music (Hip Hop, Its high energy moves, pg1). City parks and streets were readily available for early Hip Hop performers and their fans.

The song credited for giving Hip Hop mass appeal was ‘Rappers Delight’ by the Sugar Hill Gang. Released in 1979, the hit song sold up to 60,000 units daily in the US alone (The Roots of Hip Hop pg. 2). The song’s backdrop was the disco classic ‘Good Times’ and was a favorite among club DJs. Another song that helped Hip Hop to become mainstream was ‘The Message’. GrandMaster Flash’s lyrics poignantly illustrate the result of being poor in the ghetto. “The Message struck a chord with a generation of kids on both sides of the Atlantic, growing up in the economic depression of Reagan’s America and Thatcher’s Britain” (The Roots of Hip Hop pg. 3). With major labels ready to mass produce Hip Hop records, the voice of urban America could no longer be ignored.

During the eighties, Hip Hop became available through various media outlets. In 1984, Video Music Box became the first television show to air Hip Hop videos. Hosted by Ralph McDaniels and Lionel “Vid Kid” Martin, the show featured every major and up and coming artist. MTV later followed with its own show, focusing mostly on Hip Hop videos with cross over or pop appeal. Hip Hop audiences were now being catered to by radio as well. In 1986, the radio station Hot 97 was launched. This high profile station promotes every aspect of Hip Hop. It exposes listeners to music, lifestyle, and culture via interviews with Hip Hop artists, concerts, fashion shows, and community service projects (WQHT-FM Wikipedia pg 1).

Hip Hop has evolved with the changing times and trends. One notable difference is the increase of female rappers. The male dominated genre was taken by storm with the success of female emcees such as MC Lyte, Salt N Pepper, and Queen Latifah. Their songs displayed a softer side of the genre while garnering respect from their male counterparts. Queen Latifah’s Grammy winning single UNITY, uplifts women and promotes an end to domestic and gang violence. Additionally, Hip Hop artists themselves have ventured outside of the hood. They are organizing charitable foundations, starring in roles alongside seasoned thespians, manufacturing clothing, making energy drinks, writing books, etc. Hip Hop has metastasized from its east coast roots across the US and is emulated globally. Hip Hop has become so diversified that it is hard not to find a song or artist to like.

Hip Hop has come full circle. The original art form derived from the Mecca of cool is now a respected and admired lifestyle and culture. It is also a multi billion dollar enterprise, used to market everything from sports and fashion to religion and politics (Hip to Hip Hop pg 1). Mayor Bloomberg announced the first ever Hip Hop honors week slated to be held later this year (States News Service p1). In conjunction with VH1, New Yorkers will an opportunity to partake in all activities related to Hip Hop history and culture (States News Service p1). It has surpassed the expectations of not only its critics but B-boys and girls alike. In March, Hip Hop legends GrandMaster Flash and Africa Bambaataa were present at a press conference that focused on a future display at the Smithsonian (Exhibiting Interest… pg 1). The exhibit entitled Hip Hop Won’t Stop: The Beats, the Rhymes, the Life, is expected to take at least five years until completion (Exhibiting Interest… pg 1). The display will feature various artifacts pivotal the inception of Hip Hop. Thanks to Hip Hop’s humble beginnings, its future looks so much brighter.

Monday, April 16, 2012

Blamo's BIO


Blamo Jaurey was born to Florence and Zaccheaus Jaurey in Queens, NY. Her parents emigrated from Liberia, West Africa. Her father was a photography darkroom technician and bookkeeper. Her mother worked as a nurse aid. The youngest of five children, Blamo is named after her paternal grandmother. Her name means "wisdom."

In 1983, the Jaurey family moved to Manhattan. Blamo attended The Wright Brothers School, PS 28 where she was friends and classmates with Deon Richmond aka "Bud" from The Cosby Show. Her fourth grade teacher Mrs. Fields recognized Blamo's talent and selected her to test for the Mott Hall School for Gifted and Talented students.

While attending Mott Hall, Blamo's interests in dancing, theater, and the arts flourished. She danced with the National Dance Institute led by Jacques d'Amboise and also took dance classes at Harlem School of The Arts. Blamo's Drama teacher Mr. Theophall taught her the principles of acting and the elements of improvisation. Her comedic timing was impressive and she was encouraged to write and perform skits. Blamo's poetry and creative writing entered and won citywide competitions.

In 1991, the family moved back to Jamaica Queens at the start of High School. Blamo attended Julia Richman HS in Manhattan where she was pressured by her mother to pursue nursing. The nursing program was rigorous and required an internship at Coler Memorial Hospital on Roosevelt Island. However, Blamo still found creative outlets and danced in the HS talent show.

Blamo graduated High School June of 1995. In August she left home to attend SUNY Delhi in upstate NY, working toward a degree in nursing. During her second semester, she became President of Delhi Women's Network. The group's mission was to promote self-esteem, bring awareness to women's issues through group discussion and events, and offer volunteer and community outreach opportunities. Their most successful event was the annual fashion show, which Blamo directed. Under Blamo's leadership, Women's Network received the Most Improved Organization award.


After three years at SUNY Delhi, Blamo realized she had no real interest in a nursing career. She graduated with a certificate in Practical Nursing and later began working as a Medical Secretary. Her poise and compassion served patients well at the St. Vincent's Cancer Center. She worked for Dr. Deborah Axelrod, Breast Surgeon and co-author of the book "Bosom Buddies" with Rosie O'Donnell and appeared on the Rosie Show's in-hospital segment on breast health.

In 2006, Blamo enrolled at LaGuardia Community College and graduated a year later with her Associates Degree. While at LaGuardia, she scored an internship at WBLS radio station, working as research assistant to journalist and TV personality, Jacque Reid on the Steve Harvey Morning Show.

Blamo returned to college in 2009, this time majoring in English, minoring in Media Studies at Hunter. While working full-time and taking 15 credits, Blamo made the Dean’s list during her first semester. Blamo’s most thought provoking course was “Women and the Media” which focused on deconstructing the portrayal of women on television shows, commercials, and print ads. In January 2010, Blamo earned her Bachelor of Arts degree.

After Hunter, she parlayed her love of writing and fashion into PoetryProsePumps, a blog showcasing her poetry and love of fabulous shoes. In addition, she began writing for a short-lived fashion and lifestyle website, Hot-Coco.com. In 2011, Blamo attended FIT's Wardrobing for Film, Television, & Theater, professional studies course. She later scored a position as Lead Wardrober for an independent film, Saving Face. She also worked as a model dresser during Mercedes Benz Fashion week for Naeem Khan and Juan Carlos Obando.

Currently, Blamo works at All Souls Church as Assistant to the Sr. Minister/Director of Newcomer Services. When she is not working, she loves to read, write, travel, and attend fashion, music, and culture related events. Blamo is married to Charles Briggs; they have no children.

Contact Information:
Mobile: 917.362.1398
Email: bdot926@yahoo.com
Blog: poetryprosepumps.blogspot.com

Preacher Woman



On a typical Sunday morning, people come from far and near to attend All Souls church. People are smiling, excited as they rush in to the sanctuary, eager for service to begin. The minister who stands at the pulpit is overjoyed by the amount of people present to hear the word. The sermon is a message full of insight, challenges, and mostly love. The minister wraps the congregation with a tight spiritual hug so that they not only hear the words but feel them as well. This minister is Rev. Cheryl M. Walker.

Born to Dorothy and Charles Walker II in 1956, Rev. Walker was raised Muslim, with her two sisters and one brother, and lived in Harlem’s Lower East Side. She attended public schools and later graduated from Stuyvesant High School. Leaving Harlem for the first time, Walker attended Springfield College in Massachusetts, earning a Bachelor of Science in Mathematics in 1977.

The experience away from home proved to be life changing. Walker gained not only the knowledge needed to be successful in the real world, she also learned herself. Away from the constraints of Islam, Walker was free to accept that she was a Gay African- American woman.

After college, Walker quickly landed her first job at Liberty Mutual, working in loss prevention. A few years later, she transitioned to the burgeoning field of technology.
At the time the field was called electronic data processing. The work was dominated by women and was presumed to be a clerical function. Later working at AT&T, Walker used punch cards to create the company’s computer system.

Her career in technology lasted twenty-five years, peaking at Meryll Lynch where she served as VP of Technology. Although her position offered the challenge that she loved, Walker found her work unfulfilling. Deep within herself, she knew this wasn’t to be her life’s work. In 2001, Walker walked away from her lucrative title, negotiating a career retirement. She would now pursue her true calling- the ministry.

Walker attended Union Theological Seminary and became an ordained Unitarian Minister in May 2004. Currently, Rev. Walker is the Associate minister at the Unitarian Church of All Souls. The congregation on Manhattan’s Upper East Side does not reflect the Harlem community where Walker grew up. The congregation is mostly white, with less than a third being people of color. However, Walker finds it easy to relate. She speaks to their heart and hopes- that if need be that their minds will change.

My interview with Rev. Walker, Nov. 13, 2007

What is the best part of your job?

There are a lot of things that I really love about my job so it’s kinda hard to say the best-but the things I love about my job end up in one category; touching peoples lives- in two ways. One of my two favorite ways is on Sunday morning, when we are in church together and we sing, and I preach- I love to preach. The other part, and I’m not sure which one really weighs number 1 or 2 anymore- is when people are in my office crying and sharing the hardship of their lives. There is a saying “A burden shared is a burden halved” so when they come in my office their burdens are heavy and when they leave they are lighter.

Growing up Muslim and living in Harlem, how did you discover Unitarian Universalism?
It wasn’t easy- umm a friend of mine who I worked with on wall street- we started out in the industry together- said to me I think you would really like my church. She started explaining a little about Unitarian Universalism and I’m like yeah right. I went to service and it was thought provoking and I was very impressed with the openness of the congregation. But it really wasn’t enough to attract me. The same friend, two months later, invited me to a different UU church. She said the preacher was an African American woman. I walked into the sanctuary and hanging from the rafters was a 6 ft banner representing the world's religions. They were all around the sanctuary and there is a visual statement about that. It was saying something that I was trying to say in my own life for some time. Each one of them had some truths but no one of them had “the” truth. After the service, I met with the minister. I went back the next week, and the week after that, and three years later, I became a member.

How did your life as a Muslim prepare you for becoming a minister?

It did not. I sometimes think that had I grown up something other than a Muslim the idea of ministry would have come to me sooner. The idea of women clergy is unknown in Islam today. Growing up where that’s not an option for women in some ways shut a door that I might of walked through sooner. Being a woman, particularly being a lesbian woman, doors were closing in the faith of my childhood. So in some ways it did just the opposite. On the other hand it did give me a particular grounding and strength. Growing up in as a Muslim in the 1960s and 70s, we were very much different. There was something very powerful about us walking through Harlem, through the projects going to mosque. In particular, a black family in America, we were in our presence, challenging all the structures of white supremacy (by) just walking down the street. In that respect, it did give me an incredible grounding of my own worth.

What aspects of Islam do you still practice?
I eat like Muslims- so there are foods that I will not eat. I was just recently asked to have a potluck in my house and I don’t have potlucks in my house. The reason is because I can’t trust the food that you’re bringing into my house. If you bring something that’s not halal into my house and use my plate, I have to then destroy the plate. So quite honestly, I really like my china. I do take the habit of prayer with me- praying five times a day reminds you of your relationship to God. I dress modestly, my skirts are at the knee or just a little above. I fast during Ramadan, not every year-when I am feeling least connected to the holy I fast because that practice will bring me back in touch to God.

What are the unspoken responsibilities associated with being a Black Female Gay minister, in a male led and predominately white congregation?

To speak truth to power. When I’m in the room they think about things they don’t think about. My being here- being unapologetic about being a woman, about being black, about being gay- forces people to think outside of their comfort zone. I often don’t like to preach on racism- it’s not my problem –it’s my challenge. But at times it becomes so clear, so obvious that if nobody is gonna say something, I will stand up and say something. When Katrina hit, I had to address the issues of class and race that are playing out in front of you on your television everyday. (Addressing the congregation) And what people are you going to do about it? What I didn’t know is that they would respond and are still doing so today.

When did you come out and how?

Umm, I came out to my parents when I was a junior in college. I may have come out to myself and friends before then. It happens in stages. My parents were visiting me at school and I gave my mom a letter and told her to read it when she got home. Of course she read it out loud to my father during the drive home and they got into a car accident. Nothing major. I knew that she was not surprised. I think most parents of gay children aren’t surprised-they’ve known, they just don’t want their children to tell them. My father and I stopped speaking for three years. I was my father’s favorite. He said some really harsh things. I said Dad if you can’t accept me then I won’t- you did not raise me to accept anyone to speak to me the way you just did. Finally he just gave up -he said he missed me. I’m glad it happened before he died.

Do you have a desire to get married and have children?

I’ve never really wanted to have children-I love being an Aunt, I love sending them home. I would like to live in a country where my partner and I would be allowed to be married-yes.

When do you write your sermons and where do you draw inspiration from?

I start writing my sermons at 2 am on Sunday morning. I start to think about the sermon well before then. It’s really a process of (questions I ask myself) what do you wan to say, what do you want them to feel, come away with, think about, whatever-what transformation do you want happening in the room. Sometimes it’s a mood that I’m sensing in the congregation-that something needs to be spoken. Sometimes it’s dictated by the season of the year- if it’s Christmas you gotta talk about Christmas. I get inspiration all over the place- Karl Bart always said ‘You should preach with a bible in one hand a newspaper in the other.’

What is UU to you?

At it’s best, Unitarian Universalism is a community of faith walking together yet unagreed on the most basic issues of faith- we have everybody in the room from Godfather to ain’t no God at all, and everybody in between. We can worship together, sing hymns together, listen to the sermon and not break out into World War III. This is what makes us a light unto the nations of the world- we can do it, why can’t you? Because in the end it doesn’t matter whatever faith you profess- it matters what you will do with it.